its 315 am
i have the need
to write a poem
i've had a drink or
two
maybe more
i'm not
sure
i read some poetry
just now
whilst smoking
a pipe
& something was turned
on--
words
Tuesday, February 14, 2012
snowin
soft silent
sifting of flakes
fell upon my shoulders
as the crunch under my
feet echoed off the house
next door
i am curled up
right now
with a bottle of
jameson a shot
glass & a cat
sifting of flakes
fell upon my shoulders
as the crunch under my
feet echoed off the house
next door
i am curled up
right now
with a bottle of
jameson a shot
glass & a cat
Saturday, December 3, 2011
untitled
my mom was cut
low by
mantel cell lymphoma
blastoid variant
on five november
at 1015 am
she was already
gone by the
time i got to
the hospital
i got to her room
& she was alone
peaceful
still warm
her mouth open
eyes closed
the sun was shining
through the window
i kissed her forehead
slid my fingers through
her hair
held her hand
sat in the chair
next to her bed
sat quietly
prayed
pulled the sheet over
her chin
raged a little against
death
but then remembered
st paul:
where is your sting
oh death?
my mind turned to the
spiritual
a feeling of peace &
comfort filled me
she was out of pain
& no more fear
death: a blessing
the curse of sin
defeated
low by
mantel cell lymphoma
blastoid variant
on five november
at 1015 am
she was already
gone by the
time i got to
the hospital
i got to her room
& she was alone
peaceful
still warm
her mouth open
eyes closed
the sun was shining
through the window
i kissed her forehead
slid my fingers through
her hair
held her hand
sat in the chair
next to her bed
sat quietly
prayed
pulled the sheet over
her chin
raged a little against
death
but then remembered
st paul:
where is your sting
oh death?
my mind turned to the
spiritual
a feeling of peace &
comfort filled me
she was out of pain
& no more fear
death: a blessing
the curse of sin
defeated
Tuesday, September 20, 2011
for mom
churchill once said
'if you're
going
through Hell
keep moving"
yes true
what do they
always say in
war movies
when the shooting
starts
'keep moving forward
don't stop
go
go"
lean in
against the
stream
dukes up
'if you're
going
through Hell
keep moving"
yes true
what do they
always say in
war movies
when the shooting
starts
'keep moving forward
don't stop
go
go"
lean in
against the
stream
dukes up
Friday, July 22, 2011
Tuesday, April 19, 2011
night
at midnight
rain
lightening &
loud crashes of
atmosphere
hail bounces
off the window
& sirens wail
the universe
crashes about
like a small
child with a toy
clutched in his fat
little boy hand
screaming for attention
rain
lightening &
loud crashes of
atmosphere
hail bounces
off the window
& sirens wail
the universe
crashes about
like a small
child with a toy
clutched in his fat
little boy hand
screaming for attention
Friday, April 1, 2011
playtime
everything is right angles
geometric
sharp corners
halvetica abounds
today i sat
on a dark grey
chair
watching an escalator
people rode
up the escalator
down the escalator
geometric
sharp corners
halvetica abounds
today i sat
on a dark grey
chair
watching an escalator
people rode
up the escalator
down the escalator
Monday, March 21, 2011
when you are young
when you are young
and full of poetry
when time is but
a fancy and death
an ironic inspiration
when idle moments
pass into idle years
and you are tested with
a sea of yesterdays
you will sit
and you will wonder
at how everything
that
is
now was
and full of poetry
when time is but
a fancy and death
an ironic inspiration
when idle moments
pass into idle years
and you are tested with
a sea of yesterdays
you will sit
and you will wonder
at how everything
that
is
now was
Friday, March 18, 2011
last night
i awoke last
night, 3am
stomach hurt
burned a little
too
went to the fridge
drank a few mouth
fulls of milk right
from the carton
shuffled back
to bed
wide awake now
my white cat curled
up tight on my bedspread
glowed subtly in the
faint streaming light
from the window
crawled in bed
trying not to
distupt the cat's slumber
i lay there
mind going
too fast for
my own good
the creeping fear
of uncertainty clawed
at my subconsciousness
the rednumbered digital
clock stared at me
reproving
rolled over on my right side
facing the wall
prayed
i think
hoping to fall a sleep
my stomach
burned a little
bunched the
pillows around my
head
squeezed my eyes & willed
sleep to come--
it played coy
a muffled throat mew told me
to settle down
i tried
sleep played
hard to get
night, 3am
stomach hurt
burned a little
too
went to the fridge
drank a few mouth
fulls of milk right
from the carton
shuffled back
to bed
wide awake now
my white cat curled
up tight on my bedspread
glowed subtly in the
faint streaming light
from the window
crawled in bed
trying not to
distupt the cat's slumber
i lay there
mind going
too fast for
my own good
the creeping fear
of uncertainty clawed
at my subconsciousness
the rednumbered digital
clock stared at me
reproving
rolled over on my right side
facing the wall
prayed
i think
hoping to fall a sleep
my stomach
burned a little
bunched the
pillows around my
head
squeezed my eyes & willed
sleep to come--
it played coy
a muffled throat mew told me
to settle down
i tried
sleep played
hard to get
Sunday, March 13, 2011
in an instant
part i
in an instant a sleepy town
is swept into a muddy sea
tens of thousands of quiet
disasters unfolding into a scream
part ii
6000 miles away
across a hundred restless seas
unexplored mountains
and terrains of the unforgotten
and unfulfilled
a man smiles as his grand
daughter takes the first of many steps
part iii
he wept when they arrived
a story of hope, the newspaper said,
notwithstanding the empty shirt
in his trembling hands
(where once his wife had been)
part iv
later, when the last of the
candles shuddered under
his grandson's breath
the man struggles
to stand
and walk away
in an instant a sleepy town
is swept into a muddy sea
tens of thousands of quiet
disasters unfolding into a scream
part ii
6000 miles away
across a hundred restless seas
unexplored mountains
and terrains of the unforgotten
and unfulfilled
a man smiles as his grand
daughter takes the first of many steps
part iii
he wept when they arrived
a story of hope, the newspaper said,
notwithstanding the empty shirt
in his trembling hands
(where once his wife had been)
part iv
later, when the last of the
candles shuddered under
his grandson's breath
the man struggles
to stand
and walk away
Monday, February 14, 2011
Wednesday, February 9, 2011
12 hours from Midnight
Smiling and yes! I arrived
In dawn
Along the edge of a
Speckled road.
It was gravel.
My tire iron, spark plugs, and
Ignition timer were
Also gravel.
I walked here from Winamac.
An arm-sling hoisted my arrogant.
I walked here from Winamac!
12 miles after I set out from
Midnight. Now this morning?
This thing breaks the scuffle
Of feet on the speckled road?
Now
A where else?
So I'm here,
Giddy in the tight jawed morning.
I can't wake up
From being.
The arm-sling
Shifts its load
Of unfired bricks.
I am 12 miles from midnight.
No other thing
Rears
Its challenging shape.
The stars grow into far.
I cannot curl
Into a bed of
The speckled road
Where I seek sleep.
In dawn
Along the edge of a
Speckled road.
It was gravel.
My tire iron, spark plugs, and
Ignition timer were
Also gravel.
I walked here from Winamac.
An arm-sling hoisted my arrogant.
I walked here from Winamac!
12 miles after I set out from
Midnight. Now this morning?
This thing breaks the scuffle
Of feet on the speckled road?
Now
A where else?
So I'm here,
Giddy in the tight jawed morning.
I can't wake up
From being.
The arm-sling
Shifts its load
Of unfired bricks.
I am 12 miles from midnight.
No other thing
Rears
Its challenging shape.
The stars grow into far.
I cannot curl
Into a bed of
The speckled road
Where I seek sleep.
Saturday, January 29, 2011
Dan,
The incorruptible are unattractive and
Clearly invisible. I never see them.
The corruptible fill the hedges
Of this neighborhood. They
Take the place of curtains, and
Hang from my walls.
They start life as gentle landscape
Reproductions in heavy frames.
In two years they are beautiful
Women in swimsuits.
In four years they are beautiful
Women not in even swimsuits.
These things take time.
Or they are born as acid loving
Hydrangeas which make white
Snowballs in summer.
On my suggestion of
Aluminum Sulfate, next season
They shout blue snowballs.
A third year later, and
They are bald cypress.
These things take not as long.
Do not worry.
You can free yourself of all
Corruptions by speaking only
Italian for a year, drinking
Moon black tea on the back
Of an elephant, and
Marrying the first underage Polynesian
You meet in a burning warehouse.
Clearly invisible. I never see them.
The corruptible fill the hedges
Of this neighborhood. They
Take the place of curtains, and
Hang from my walls.
They start life as gentle landscape
Reproductions in heavy frames.
In two years they are beautiful
Women in swimsuits.
In four years they are beautiful
Women not in even swimsuits.
These things take time.
Or they are born as acid loving
Hydrangeas which make white
Snowballs in summer.
On my suggestion of
Aluminum Sulfate, next season
They shout blue snowballs.
A third year later, and
They are bald cypress.
These things take not as long.
Do not worry.
You can free yourself of all
Corruptions by speaking only
Italian for a year, drinking
Moon black tea on the back
Of an elephant, and
Marrying the first underage Polynesian
You meet in a burning warehouse.
Thursday, January 27, 2011
Monday, January 24, 2011
The action in the lines of just
Everything is a math of
Rough sex
And Hawaiian guitar,
Delco radios and midnight
After driving
In the leather Mercedes
Open to through curves.
Good things when they are at their best.
And Nurses: tonight no more needles – just –
The television crawls between the patterns
Of films. A steady flickerings
Of Oscar winning roles
For difficult women (on screen and
Off goes the joke).
We spend all of hey laughing.
Your fingertips on my wrist – just –
There is not a cave with enough
Deep. Even hiding in the cave
You are found
As the voices make echoes.
The lights shine in after you.
Put your lips over my chilly mouth – just –
I have a confession.
The summers did not happen
As I remember them.
Instead... I did not fly.
I did not wear laurels.
I did not advise
A future that would actually come.
Run the fingers of your fingers
Over my chestbone – just –
That I think if anyone, you.
There is a math to be created.
Visualize the entrance of numbers,
And convert them to dancers,
On point,
In a train hallway.
Press me in an urgent way – just –
More than slumbering occurs
While I am neither
Wrapped in Irish arms,
Or in a cradle of Irish earth.
The Hawaiian guitars
Assemble their pitches, and
Mourn on stoney peaks.
Rough sex
And Hawaiian guitar,
Delco radios and midnight
After driving
In the leather Mercedes
Open to through curves.
Good things when they are at their best.
And Nurses: tonight no more needles – just –
The television crawls between the patterns
Of films. A steady flickerings
Of Oscar winning roles
For difficult women (on screen and
Off goes the joke).
We spend all of hey laughing.
Your fingertips on my wrist – just –
There is not a cave with enough
Deep. Even hiding in the cave
You are found
As the voices make echoes.
The lights shine in after you.
Put your lips over my chilly mouth – just –
I have a confession.
The summers did not happen
As I remember them.
Instead... I did not fly.
I did not wear laurels.
I did not advise
A future that would actually come.
Run the fingers of your fingers
Over my chestbone – just –
That I think if anyone, you.
There is a math to be created.
Visualize the entrance of numbers,
And convert them to dancers,
On point,
In a train hallway.
Press me in an urgent way – just –
More than slumbering occurs
While I am neither
Wrapped in Irish arms,
Or in a cradle of Irish earth.
The Hawaiian guitars
Assemble their pitches, and
Mourn on stoney peaks.
Tuesday, January 18, 2011
The Rules in a Perfect
The gables of houses align
From one block to the next,
And from porches beneath them hang
Two person swings painted white.
A breeze would cool them.
Marigolds also would shake
Their yellows.
The cars are quiet when they pass.
There is no thump of music,
Or unkept muffler sounds.
The sky is undivided by the
Vapors of airplanes.
I promised these mouthwords
At the refuge camp in Nigeria.
The mothers stared at the gospel
Of my words. We filled out
The immigration forms, and applied
For vaccines,
Until the camp was strafed
One midnight.
The agency flew me back
To Nairobi. In the neon
Dance clubs, I peddled
My winning lies
To the braless girls
In skirts and sandals.
From one block to the next,
And from porches beneath them hang
Two person swings painted white.
A breeze would cool them.
Marigolds also would shake
Their yellows.
The cars are quiet when they pass.
There is no thump of music,
Or unkept muffler sounds.
The sky is undivided by the
Vapors of airplanes.
I promised these mouthwords
At the refuge camp in Nigeria.
The mothers stared at the gospel
Of my words. We filled out
The immigration forms, and applied
For vaccines,
Until the camp was strafed
One midnight.
The agency flew me back
To Nairobi. In the neon
Dance clubs, I peddled
My winning lies
To the braless girls
In skirts and sandals.
Monday, January 17, 2011
The Afternoon of Savannahs
A lion in crave with nothing.
The springbok are fleet, and
The hartebeests already gone this season.
The sheepish things that don't live here,
Don't live here.
A lion in a crave without
Spending the afternoon in a pant
Under a heat of brush.
No scents in the wind, and
No springbok, no hartebeest, no creek.
The land is wide and unlush.
A lion in crave with
A brown blood dried flank
Poached poorly by a caliber,
Then hiding away
Under hot brush.
With thirst he went,
And went away.
A lion without crave
Was tracked in his skin
By a boy who watched
The sky swagging birds
As they dropped
To the heap
Of his nodding slump.
The springbok are fleet, and
The hartebeests already gone this season.
The sheepish things that don't live here,
Don't live here.
A lion in a crave without
Spending the afternoon in a pant
Under a heat of brush.
No scents in the wind, and
No springbok, no hartebeest, no creek.
The land is wide and unlush.
A lion in crave with
A brown blood dried flank
Poached poorly by a caliber,
Then hiding away
Under hot brush.
With thirst he went,
And went away.
A lion without crave
Was tracked in his skin
By a boy who watched
The sky swagging birds
As they dropped
To the heap
Of his nodding slump.
Sunday, January 16, 2011
With words like 'terror,' and
'History' can you reduce
Other words like 'Leopold,' and
'Milosevic' to thoughts that will
Slip between your fingers?
That they would fade away?
You've read it in a book, and promised
To bring it up to people
Who will appreciate the atrocities
In a heartfelt manner.
Even if they are drinking white wine.
Then drive home.
Something about Rwanda?
Sleep with beautiful women all the time.
Millions of them.
Until it refuses to end.
The heartfelt atrocities here
That don't kill many people.
My beautiful vehicle.
Refusing to breakdown bones although
They are breaking.
Muscles cramp like steel.
There are other traumas and atrocities
To consider
That can be reduced from
A score of charts
To laconic chords,
Or 'terror,'
Or 'history.'
Somewhere the garden,
Somewhere the trumpet,
And neither being played.
'History' can you reduce
Other words like 'Leopold,' and
'Milosevic' to thoughts that will
Slip between your fingers?
That they would fade away?
You've read it in a book, and promised
To bring it up to people
Who will appreciate the atrocities
In a heartfelt manner.
Even if they are drinking white wine.
Then drive home.
Something about Rwanda?
Sleep with beautiful women all the time.
Millions of them.
Until it refuses to end.
The heartfelt atrocities here
That don't kill many people.
My beautiful vehicle.
Refusing to breakdown bones although
They are breaking.
Muscles cramp like steel.
There are other traumas and atrocities
To consider
That can be reduced from
A score of charts
To laconic chords,
Or 'terror,'
Or 'history.'
Somewhere the garden,
Somewhere the trumpet,
And neither being played.
If Morning Had
I was as good as then,
And weary of these a.m.'s.
The first break of bright across
The street trotting east.
A morning. Another.
A way to wake and feel
The candles in your feet
Are burned out burned.
That means the light, too,
In your hips is dim.
And though she's only a whisper
On your arm,
She is tired.
The dogs are in their nightclothes.
Apparitions are back in the wall.
This, with sleep in its
Bruisy eyes,
Is the sockdolager
Of your life?
This doppelganger,
Shaped like a sack of change,
Is your life?
May as well go back to bed
Before the guilty voices wake
And rattle the trees outside
This drowsy boarding house.
And weary of these a.m.'s.
The first break of bright across
The street trotting east.
A morning. Another.
A way to wake and feel
The candles in your feet
Are burned out burned.
That means the light, too,
In your hips is dim.
And though she's only a whisper
On your arm,
She is tired.
The dogs are in their nightclothes.
Apparitions are back in the wall.
This, with sleep in its
Bruisy eyes,
Is the sockdolager
Of your life?
This doppelganger,
Shaped like a sack of change,
Is your life?
May as well go back to bed
Before the guilty voices wake
And rattle the trees outside
This drowsy boarding house.
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